Jacopo Gonzato approaches design the way a physicist approaches resonance, form first, sound second, the two never separable. Trained as an architect between Venice and Santiago, he treats geometry not as decoration but as an instrument: every angle, every convex plane calculated for how it will catch, hold and release vibration into a room.

His research, Sound Geometry, draws on Pythagoras' conviction that musical harmony and architectural proportion answer to the same underlying law. Solid wood polyhedra become resonating chambers; the source of sound stays hidden, so the object itself seems to be the one speaking.